Piet Mondrian, 1872-1944, was a Dutch painter born as Pieter Cornelis Mondriaan, He worked in Paris and was heavily influenced by the work of Picasso and Braque who were developing cubism. Mondrian's early work shows influences of impressionism, post-impressionism and pointillism. The first picture below shows strong influences of Paul Cezanne; although clearly three dimensional the picture surface is beginning to break into two-dimensional shapes. There are recognisable objects such as books, glasses and some cheeses in a cloth. The top right of the painting clearly suggests some depth of field.
Piet Mondrian, Still Life with Gingerpot I, 1911
However, in the second slightly later picture analytical cubism has begun to be seen. That is the early stage of cubism as distinct from the later synthetic cubism which was where Picasso and Braque had begun to make collages from newspaper and other items applied to the picture surface. In the second picture, books and glasses can just about be made out but the painting is virtually two-dimensional (of course, the painting is two-dimensional but the point is that no attempt to create any depth is made). The surface, apart from the Gingerpot itself, is really just a series of shapes. The range of colours is very limited and the style is geometric.
Piet Mondrian, Still Life with Gingerpot II, 1911-12
Mondrian is more well-known for his later work using only
horizontal and vertical lines and black plus the primary colours. He rejected
references to the outside world pushing toward pure abstraction. His use of
asymmetrical balance and of simplification were crucial in the development of
modern art, and his iconic abstract works remain influential in design and
familiar in popular culture to this day.
Composition in Blue, Yellow and Red. Piet Mondrian 1942
"...forbidding, ascetic, pure, impersonal, ideal, clear beyond the mess of an ordinary life...."
I'm listening to Mozart's Symphony No.40 K550)in G Minor,
the familiar first movement - Allegro. Listen here. |